Category: Flag

A Ghost of the Civil War

5/15/2015

This blog concludes our four-part series on the Solon A Perkins flag, cared for by the Greater Lowell Veteran's Council, here in Massachusetts. It took nearly 18 months for the Vets to administer this complicated project, including hiring Museum Textile Services to conserve the flag and MasterWorks Conservation to conserve the frame. The flag will be rededicated on May 31, 2015, in a public ceremony at the Lowell Memorial Auditorium.

The Solon A. Perkins flag before conservation.

At the outset of the project, a major decision was made by representatives of the Veteran's Council to use ghost images to restore the original shape and design of the flag. The tips of the swallow-tail guidon were missing, possibly taken by souvenir hunters (a frequent practice.) The shattered white and blue silks were actively disintegrating and not all of the gold-painted stars had survived the century-old framing campaign. Matters were complicated by the presence of glue beneath many of the stars and at other key points.

Using a combination of heat, solvent, and mechanical action, Camille lifted each glued section and painstakingly removed the cardboard residue beneath. This process sometimes caused the gold-painted stars to break into two or more pieces. So Camille combined archival adhesive, gold powder pigment, and acrylic paint, and brushed the mixture onto sheer polyester fabric. When dry, she cut out star shapes using a stencil made from one of the flag's stars. As she liberated each star from the board, she lightly stuck the star pieces to a new star form using a tacking iron.

To facilitate removal, the support board was cut and the canton separated from the stripes along pre-existing breaks in the silk.

The canton after removal from the old board (l) and after conservation (r).

The Greater Lowell Veterans Council opted to have Camille leave the full ghost stars rather than cutting away any uncovered portions of the star shapes. These ghost images now suggest the original appearance of the concentric Civil War star arrangement but are different enough in color and sheen as to be an obvious restoration. To compensate for missing areas, Camille also fashioned polyester organza underlays for beneath the red, white, and blue silks.

A solid-support panel was manufactured by Small Corp. Inc. to fit perfectly into the flag's inner frame. We covered the panel with padding and fabric before laying out the red and white polyester organza
underlays. Camille then placed the striped section of the flag on top of this ghost image and hand stitched them both to the fabric-covered panel. Next, she transferred the canton, already stitched to its blue organza underlay, onto the panel and stitched it into place. The final step prior to framing was to tediously straighten all of the shattered silk and slowly cover the entire flag with silk Crepeline. Camille hand stitched around the perimeter of flag and beneath each white stripe to hold the tattered flag in place and to prevent any fragments from slipping down. This sheer overlay is invisible from even a short distance and provides a extra barrier between the flag and the acrylic above.

Camille Myers Breeze straightening out the shattered flag.

Sheer silk Crepeline being slowly rolled out over the flag prior to framing.

The pressure mount was created by placing a sheet of UV-filtering acrylic over the mounted flag and screwing it down into the top of the panel. Because the rabbet of the green inner frame does not fully cover these mounting screws, we used an archival linen-covered mat between the underside of the frame and the top of the acrylic to mask the holes. Although the reinstalled flag looks as if it is a single framing system, this is an illusion; the flag panel, followed by the frames, were installed separately into the marble wall of the Lowell Memorial Auditorium and won't be going anywhere for a long time.

The Perkins Civil War flag, conserved by Museum Textile Services, and the c 1900 frame conserved by MasterWorks Conservation. Photo by John Mitchell.

Museum Textile Services would like to thank the members of the Greater Lowell Veteran's Council, especially John Mitchell, Bob Casper, and Thayer Eastman; Grant Welker, staff reporter from the Lowell Sun; and Larry Glickman of Traveling Framers. To contribute to the ongoing fundraising efforts for this project, please visit the Lt. Perkins Flag Restoration GoFundMe page.

Camille Myers Breeze founded Museum Textile services in 1999. She is a prolific author, and educator of museum personnel and emerging conservation professionals in the US and abroad.

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“Let Us Show These Scoundrels That We Can fight.”

5/4/2015

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The Solon Perkins Flag, recently conserved at Museum Textile Services, underwent a long and arduous journey to arrive at our studios. By tracing this path we learn about the history of the flag, the man, the city of Lowell, Massachusetts.

Flag as found in the basement of Lowell Memorial Auditorium.

Flag after conservation by Museum Textile Services.

This flag is one of two Cavalry Guidons referred to in a letter written by Major General Benjamin F. Butler of the 8th Massachusetts Volunteer Militia. The soldier's mother, Mrs. Wealthy Perkins, was given the flag by the estate of General Butler. (Butler, who outlived Perkins by 30 years, went on be a congressman, Governor of Massachusetts, and presidential candidate in 1884. He is also the namesake of the B. F. Butler Post 42 of the Grand Army of the Republic, which was established in Lowell in 1868.) A letter from Butler to Wealthy Perkins was published in the Lowell Daily Sun on December 15, 1894, in an article stating that the flag and Butler’s letter were, “to be put in Memorial Hall.”

Similar guidon showing missing white silk tips.

The two sashes in this box belonged to two of the bravest cavalry officers I ever knew. The smaller one was worn by Henry A. Durivage, 1st lieutenant of the second company, Mass. unattached cavalry, who was lost overboard from the steamer North America on the Mississippi river at the head of the Passes, April 21, 1862. The larger one belonged to Capt. Solon Perkins of the same company, who was killed near Port Hudson, La., in June 1863. Both were dear friends, and better or braver men never lived.

B.F. Butler

The Lowell Memorial Hall burned to the ground in March, 1915, taking with it many relics of Lowell history. Fortunately, prior to her death in 1896, Mrs. Perkins gifted the flag to Charles L. Knapp, then treasurer of the Middlesex Trust Company, Trustee of the Lowell Cemetery, and Clerk of the city of Lowell Water Board. The Memorial Hall building was reconstructed under the guidance of the original architect, Frederick W. Stickney, and is now called the Pollard Memorial Library.

From a 1919 Lowell Sun article we learn that the Perkins flag was at that time displayed on the wall above Middlesex Bank President F. P. Gilly. After several more years at the bank, it returned to the Knapp home. According to Charles Knapp’s wife Mary Sawyer Knapp, it was they who, “carefully preserved [the flag] by mounting under glass in a beautifully hand-carved frame.” In 1929, Mrs. Knapp invited Trustees of the Lowell Memorial to view the flag with the aim of donating it to the new Lowell Memorial Auditorium, constructed 7 years prior. The flag was installed at the Auditorium on November 12, 1929.

Lowell Memorial Auditorium, dedicated on September 21, 1922.

Location where the Perkins Flag hung, between two plaques listing the nearly 500 Lowell men who gave their lives in the Civil War.

It is not known how long the Solon Perkins Flag was displayed in the Hall of Flags at the Lowell Memorial Auditorium but its condition at the time it was rediscovered holds some clues. It hung across from a set of large doors which let in light and dirt from the busy street. There is also a return vent nearly the width of the frame located directly below where the flag was hanging before its removal. Although the tattered condition of the flag may not have changed much since its early 20th-century framing, the combination of dirt and its ragged appearance likely moved trustees to retire it from display.

Discovery of the Perkins flag must be credited to Steve Purtell and Gus Kanakis, who saw it in the basement propped against a wall behind a piano. They brought it to the attention of the Greater Lowell Veterans Council, who began the search for conservators for both the frame and the flag.

Camille Myers Breeze founded Museum Textile services in 1999. She is a prolific author, and educator of museum personnel and emerging conservation professionals in the US and abroad.

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Under This Flag...Solon A. Perkins Was Killed

4/27/2015

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Rarely does a textile arrive at Museum Textile Services with as much history and legend as the Solon Perkins flag. Discovered in the basement of the Lowell Memorial Arena, the key to unlocking its story was found right on its elaborate wood frame. Painted on the green inner frame is an inscription reading, "Under this flag at Clinton, La., on June 3, 1863, Solon A. Perkins was killed." Perkins is one of nearly 500 men from Lowell who died in the Civil War.

Flag after conservation by MTS.

Frame conserved by Melissa Carr and Adeline Myers of MasterWorks Conservation, Arlington, MA.

Born in Lancaster, NH, on December 6, 1836, Perkins and his family relocated to Lowell when he was just 4. According to historian Richard Howe, after graduating from Lowell High School, Perkins “immediately became engaged in the world of international business, working for several years in Buenos Aires and for several more in Valparaiso, Mexico. In these places, he became fluent in both Spanish and French, skills that became invaluable during his military service in Louisiana.”

Courtesy of www.findagrave.com.

Union Troops under the command of Col. Benjamin Grierson, Baton Rouge, Louisiana, May 1863. Andrew D. Lytle collection, Louisiana State University.

Perkins was 24 years old in 1860 when he joined the 2nd Battalion, Massachusetts Voluntary Cavalry. Rising to the rank of 1st Lieutenant, Perkins commanded Company C of the 2nd Battalion, which later became the 3rd
Massachusetts Cavalry Regiment

of the 19th Corps. Mark Hudziak of Iron Brigader, tells us that on the day of his death, Perkins was part of an expedition under the command of Brigadier General Benjamin Grierson that was sent to engage Confederate cavalry near Clinton, LA, during the Port Hudson Campaign.

There are no fewer than three detailed accounts of Solon Perkins' heroic, but ultimately fatal, final charge. Testimony delivered by Rev. Owen Street of the Lowell High School Chapel, in late June, 1963, was based on details from letters written to Perkins' mother. They read, in part:

When the army of General Banks moved upon Port Hudson, [Perkins] was ordered there and wrote his last letter from that place. The booming of the enemy’s cannon, only 400 yards distant forbade his sleep, and he arose in the night and continued his letter . . . until an order came for him to support a battery; he stated the fact, recorded his farewell, and there his pen rested forever. The same day that this letter was received, there came another, from another hand, saying that his earthly career was closed.

Regimental historian James Kendall Ewer, in his first-hand account entitled, The Third Massachusetts Cavalry in the War for the Union, tells is that:

Among the gallant soldiers who gave their lives for their country during the siege of Port Hudson, Captain Solon A. Perkins deserves more than a passing notice. He made a good record before the company became identified with the regiment, serving with distinction in many of the minor engagements in Louisiana. During the siege of Port Hudson, the cavalry was placed under the command of Grierson, and to them was given the duty of guarding roads, scouting through the enemy’s country around Port Hudson, and protecting the Union lines from incursions of the enemy... In the midst of the battle, a bullet struck Perkins, and he fell, to rise no more.

Map of Grierson's Raid, April-May, 1963.

By far the most passionate and detailed account of the life and death of Solon Perkins can be read on his grave marker in Lowell Cemetery:

He was killed in battle near Port Hudson. Performed his duty in life, and died bravely in the defense of his country and of liberty. He helped recruit a company of cavalry in the fall of 1861 and receiving the commission of a Lieut. went out with Gen. Butlers expedition to the Gulf. His Captain being lost overboard near Fort Jackson April 62, he commanded the company from that time till he fell. He was a true type of the cavalry officer, dashing, brilliant, brave and highly strategic and for these qualities was often complimented by his superior officers. In a letter urging his promotion to the rank of Major. Gen. Weitzel spoke of him as, “The man who to-day has the finest and most serviceable cavalry company to whom is due the honor of making it what it is. Who is the bravest and ablest of officers, and has accomplished more than any officer in this department. He has deserved promotion (he said) by his ability, his industry, his efficiency, his bravery and his success.” This recommendation was approved by Gen. Banks, and the Majors commission made out but never reached him. During the last year of his service he was constantly skirmishing with the enemy. He led Gen. Banks advance to Red River and Port Hudson was four times wounded and had seven horses killed under him. Very few could bear hardship to the same extent or with less injury. Yet in a letter closed the day before he fell, he said, "I would rather lose an arm than endure what I have aside from my wounds, the last eight months." The changes of war he counted from the start and in that last letter he said, "I often think it more blessed to die on the battlefield for ones country, than to live long years in civil life."

Solon Perkins never married. He was survived by his father, Apollos Perkins (1799–1877,) his mother Wealthy Porter Perkins (1813–1896), and a brother Henry Porter Perkins (1844–1908.)

Camille Myers Breeze founded Museum Textile services in 1999. She is a prolific author, and educator of museum personnel and emerging conservation professionals in the US and abroad.

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Ragged Glory Restored

4/21/2015

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On a steamy August day last summer, MTS Director Camille Myers Breeze met with representatives of the Greater Lowell Veterans Council inside the cavernous Lowell Memorial Arena. On a table lay a venerable Civil War flag, discovered the previous January in a forgotten corner of the basement. Camille was interviewed by Grant Welker in his January Lowell Sun article, From Ragged Glory, a Piece of Lowell Civil War History Unfurled, and the day had finally arrived to transfer the flag to the hands of a conservator.

Flag as found in its early-20th-century frame.

Together the team carefully removed the heavy oak frame, followed by a green- and gold-painted inner frame, both hand carved in the early 20th century. Beneath the glass lay a sheet of century-old cardboard to which the flag was glued and sewn. It is tempting to point out how the combination of sunlight and acidity have bleached the silk to shreds, but had the flag never been framed and exhibited for generations of Lowell visitors to see, it could very well have turned to dust by now.

Flag after removing it from the frame.

Over the next few weeks, we will outline our conservation strategy, walk you through the creative problem-solving solutions we came up with, discuss the client's preference for a "restoration," and share the amazing history of this historic artifact.

Flag after conservation and before reframing.

Camille Myers Breeze founded Museum Textile services in 1999. She is a prolific author, and educator of museum personnel and emerging conservation professionals in the US and abroad.

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Installing the Dennis 13-Star Flag

7/21/2014

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One of the most exciting projects of 2014 was concluded early in July with the reinstallation of the 13-star ensign flag belonging to the town of Dennis, Massachusetts. Completed in a mere 4 months, this conservation treatment was an exercise in collaboration--and often patience--resulting in a strikingly dramatic historic flag returning to its home town.

Dennis 13-star flag as it hung in the Nathanial Wixon Innovative School auditorium for 28 years.

The Dennis flag after conservation by Museum Textile Services.

The flag was deinstalled on March 7th, 2014, by MTS colleague Barrett M Keating, a renowned furniture conservator from N. Falmouth, Massachusetts. Barrett also helped us four years ago with the installation of the Tricentennial Quilt at the Falmouth Public Library.

Conservator Barrett M Keating painstakingly removing staples that the previous installers used to attach the flag to a wooden beam.

Due to the age and quality of the previous conservation treatment, we were anticipating that the flag was suspended from a Velcro hanging system. What Barrett found instead was that the conservators had attached a Velcro header to the back of the flag, but the installers had chosen to staple, nail, and tack the flag to a wooden beam, rather than using a Velcro slat. Fortunately for everyone, Barrett was able to carefully remove each bit of hardware, leaving the top edge intact. He rolled the flag and later delivered it to MTS.

Conservation of the flag took place during March and April, 2014, and was documented in visiting conservator Lisa Yeats' blog A View From Down Under. The previous lining and repairs were retained, additional repairs made to that lining where necessary, and the entire flag was overlaid with sheer nylon net. This invisible net protects the many frayed areas and provides preventive conservation as the flag continues to age. When conservation was complete, the flag was rolled and awaited installation in July.

Visiting conservator Lisa Yeats netting the flag.

The 3-part support panel was assembled.

Archival polyfelt was attached with tape.

The padded panel was covered with muslin.

In order to accomplish the tricky mounting, framing and installation in just three days, we brought together a team consisting of current and former MTS staff and interns. In addition to Director Camille Breeze and Conservator Cara Jordan, intern Kate Herron, former intern Jen Nason and former technician Courtney Jason made the trip down to the Cape. Although the three long days were extremely hot and humid inside the auditorium, and there were many sore fingers and backs, it was great to spend time together and we made the best of our evenings on lovely Cape Cod.

"Quick Draw" Courtney Jason.

Kate, Courtney and Jen taking five.

After hours at Harvest Gallery & Wine Bar.

Kate and Courtney taking their turns working on hands and knees as the flag was unrolled.

Barrett Keating returned on day 3 to help MTS and Artex with framing.

The most challenging part of the job for the MTS team was getting the flag stitched down to the padded panel within the day and a half allotted. Using curved needles and cotton thread, lines of stitching were placed along every other stripe, around the perimeter, and at each star. This thorough support system, along with the preventive netting, assured us that the flag could withstand vertical display for another 30 years. It was tough work but we met our deadline.

Cara and Courtney inspecting the flag prior to framing.

Artex FAS was hired to install the flag on the auditorium wall.

On day 3, Barrett Keating returned to help assemble the frame and acrylic system custom built for us by Small Corp. Inc. Artex FAS also arrived that day to attach the cleat to the auditorium wall and lift the framed flag onto the cleat using two super lifts. By the end of the day, however, concerns emerged about the strength of the cleat. Reluctantly, the decision was made to halt the installation until the following Monday, when a stronger cleat could be used. Camille drove to Western Mass. on Saturday to pick up a replacement cleat made the day before.

On Monday, Camille met the Artex team and installation resumed. After the new cleat was hung, Artex decided that the flag was too large and heavy to be maneuvered by four men. The ability of the super lifts to handle the 500-lb framed flag and the men was also called into question. For safety reasons, Camille asked them instead to unframe the flag and install it first without the metal frame and acrylic. Once the flag was positioned on the wall, the question became whether the acrylic and frame were stable enough to be maneuvered into place without the benefit of the panel system. Again for safety reasons, as well as concerns about the configuration of the auditorium, the powder-coated metal frame alone was attached to the flag panel, and the acrylic was omitted. Light levels were measured at a very low 10 lux, and cleanliness had not been a problem during its previous 30 years on display, so eliminating the acrylic was an acceptable compromise.

The Artex team preparing to install the mounted flag onto the new cleat.

The mounted flag finally makes it safely onto the wall.

The Museum Textile Services team would like to thank all the professionals who assisted with this historic conservation effort. We are especially grateful to Dianne Rochelle of the Dennis Historical Commission who acted as our go-between with the Town of Dennis and the various committees and agencies that had a say in this project. She and her husband were at the auditorium for nearly all of the four days we spent there, adding important insight and support. Stay tuned for one last blog about the history of the Dennis flag, including Diane's research.

The framed flag after installation.

Camille Myers Breeze founded Museum Textile services in 1999. She is a prolific author, and educator of museum personnel and emerging conservation professionals in the US and abroad.

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Making a Two-Sided Flag Mount

9/9/2013

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By Camille Myers Breeze

One of the most challenging flags that we conserved for the General George Patton Museum of Leadership is Patton's Western Task Force flag. The hoist binding is covered with signatures of the General and his men, whose victorious attack against Nazi forces in North Africa Allies concluded on November 18th, 1942. (Read Captured in Casablanca.)

From the front, the flag looks like all the others we have conserved. If you look at the back, however, you can also see all of the signatures on that side of the hoist. Here's how we accomplished the challenging task of making sure all of the men's names can be studied.

First, the flag was positioned on the panel and the location of the cut out was determined. A solid line was drawn on the aluminum in Sharpie marker. Holes were then drilled at the corners to allow the jig saw to pass through. Once the section was cut out, we the irregular and sharp edge were sanded with fine sand paper on a block.

The cut out was sealed with aluminum tape, which provided a solid wall inside the cut out. Thin archival padding was then double-stick taped to the inside wall. A finished edge to the cutout essential, so we ironed 3-mil BEVA film to strips of mounting fabric to make them heat sensitive. The strips were then ironed on to the panel.

Like all flag mounts, this one was covered with 1/4-inch archival polyfelt. The padding was then voided to match the cut out. The panel was covered as usual with khaki cotton fabric, which also needed to be voided. When this was complete, the flag was positioned on the mount and pinned in place. The flag was hand stitched to the panel along the hoist binding first to insure perfect alignment. The cut out was eventually covered with Melinex, attached with double-stick tape, to prevent the flag from being touched.

The signatures on the underside of the flag hoist are now visible, however the security guards in the Patton Museum will probably get upset if everyone squats on the floor and tries to crawl behind the brackets that hold each flag at a 45-degree angle. If you are a VIP scholar, however, all of the signatures are now accessible for study.

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Captured at Casablanca

6/14/2013

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by Jen Nason

Museum Textile Services had the honor of working on a large WWII flag with a magnificent history. Hanging in our studio for several months was the first Nazi flag ever captured by US forces. It was captured in Axis-occupied Casablanca, Morocco, on November 11th, 1942, and given to American General George Patton for his birthday on the same date.

Nazi flag undergoing conservation at MTS. Photo courtesy of the General George Patton Museum of Leadership.

Apart from the movie Casablanca we had never before heard reference to the Nazi presence in North Africa, so we decided to take a history lesson. On November 8th, 1942, an attack, named Operation Torch, was initiated in French northern Africa. It was the first time that American and British forces jointly planned an invasion together.

There were three proposed points of attack: Casablanca, Oran, and Algiers. Each location was allocated its own task force. Casablanca was under the Western Task Force, commanded by General George Patton; Oran was under the Central Task Force, and Algiers was under the Eastern Task Force. Each task force was met by Axis resistance, however, all succeeded in capturing the important cities of French northern Africa within a few days time. The Allies claimed victory on November 18th, 1942.

The Allied victory gave them the strength and confidence to stage other invasions in Axis Sicily and Italy in 1943. It was through these campaigns that gained the Allies even more confidence and strength. With their new and improved assets, the Allies went in on to defeat the Axis powers in 1945.

General Patton's handwriting on the flag's hoist. Photo courtesy of the General George Patton Museum of Leadership.

It has been amazing to have such an important and daunting piece of history here at Museum Textile Services. Numerous clients, and even our UPS delivery man, received the verbal warning before entering the studio that we were working on a potentially disturbing artifact. Some were conflicted and others downright awed, but all gained a new appreciation for the complicated role a conservator plays in protecting history.

Stay tuned for the next blog about the conservation techniques we developed especially for this flag.

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Patton's Pride

4/8/2013

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By Courtney Jason

On December 10, 2012, a shipment of 20 flags arrived at the MTS from Fort Knox, KY. These flags have a particularly interesting history, as many hail from the personal collection of General George Patton. They belong to the General George Patton Museum of Leadership, which is undergoing a major renovation and reinterpretation.

Camille Myers Breeze examining the Nazi flag on site at the Patton Museum in September, 2012. Image courtesy of the General George Patton Museum of Leadership.

The Ft. Knox flags range from a 11.5" x 17" Confederate Calvary guide on to an 80" x 130" Nazi flag. The collection also includes several WWII Army flags, and a North Vietnamese flag that was recovered from a booby-trapped location. The collection is here to be cleaned, stabilized and mounted for display when the Patton Museum reopens later this year.

Gen. Patton wrote on many of his flags. This note explains that this is the first Nazi flag ever captured by US forces, on Nov 11, 1942. Image courtesy of the General George Patton Museum of Leadership.

So far we have vacuumed the flags with a HEPA filtering vacuum to remove any particulate matter. Next we will humidify those with planar distortions using the Gore-Tex system described in a previous blog about the Orra White Hitchcock textiles from Amherst College.

This two-star flag bears the initials of the Western Task Force. Wrinkles and folds will be relaxed using the Gore-Tex humidification system. Image courtesy of the General George Patton Museum of Leadership.

The majority of the flags will be mounted on aluminum solid-support panels manufactured for us by Small Corp, Inc in Greenfield, MA. Each panel will have a layer of 1/4-inch Polyfelt from University Products in Holyoke, MA, covered with khaki-colored cotton poplin from Phillips-Boyne in Farmingdale, NY.

Gen. Patton's inscription on the WTF flag, stating that it landed with him on Nov 8, 1942. Image courtesy of the General George Patton Museum of Leadership.

All of the flags except for the Nazi flag will be pressure mounted on a solid-support panel. They will be centered on the panel and hand stitched to the cotton using a curved needle. Only minimal stitching around the perimeter, along several strategic points in the body, and along the fringe, is required.

The Second Corps Flag has a heavy bullion fringe that will require thorough stitching before pressure mounting. Image courtesy of the General George Patton Museum of Leadership.

A sheet of UV-filtering acrylic will provide the rest of the support for the mount. The museum has chosen Small Corp's powder-coated aluminum frames to complete the mount system. The first batch of eight flags will undergo this process through mid to late April, before being shipped back in early May by US Art of Randolph, MA.

Gen. Patton wrote "II Corps Tunesia 43" on the hoist binding of this flag. Image courtesy of the General George Patton Museum of Leadership.

The Nazi flag will receive a different treatment due to its large size. A future blog will highlight this highly-technical process. We hope you're looking forward to seeing more of these flags as much as we're looking forward to working on them.

Sigh up for the MTS e-Magazine!

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From Pearl Harbor to New England

12/7/2011

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On the anniversary of Pearl Harbor, MTS conservators are remembering a very important flag we recently treated that flew on a US Coast Guard ship the USS Centaurus, which serviced Pearl Harbor and other sites in the Pacific theater.

The USS Centaurus flag prior to conservation

The USS Centaurus was an attack cargo ship which was at the battle Okinawa in April and June, 1944, and supplied Guadalcanal in the fall of 1944. Guadalcanal is located in the Solomon Islands, and was won back from the Japanese during a six month campaign from August 7, 1942 to February 8, 1943.

The Guadalcanal flag during conservation

Together with a second U.S. Coast Guard Museum flag from Guadalcanal, the Centaurus flag was removed from the old backing fabric, vacuumed to remove any particulates, and humidified to remove wrinkles and folds. Both flags have signs of insect damage and are tattered at the fly ends from use. The Guadalcanal flag has such extensive fraying that servicemen had tied the strips of wool into large knots. Some of these knots were untied by conservators prior to mounting but the others could not be loosened.

Guadalcanal flag after conservation

Both flags were pressure mounted in order to minimize the amount of conservation stitching required. Quarter-inch archival Polyfelt from University Products in Holyoke, Massachusetts, was used to create a soft surface. The padding was voided beneath the knots and thick binding edge to provide a more even pressure mounting. The padding was placed on a solid-support panel from Small Corp, Inc. in Greenfield, Massachusetts, and covered with cotton fabric. The flag was then hand stitched to the fabric-covered mount around the perimeter and along several stripes. A small Corp UV-filtering acrylic box was used to complete the pressure mount.

Camille Breeze & Courtney Jason mounting the Centaurus flag

The conserved WWII flags returned to the US Coast Guard Museum in summer, 2011, and are among the favorite items requested for display at ceremonies and other Coast Guard events.

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Celebrating the Legacy of the 55th Massachusetts

9/27/2011

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by Sarah Berlinger, Technician

As the nation celebrates the sesquicentennial of the Civil War, Museum Textile Services is proud to have had a part in conserving a bit of history very important to Massachusetts’s involvement in the fight. Over the summer, the National Colors of the 55th Massachusetts, one of two all-black regiments in the state, went on display at the Concord Museum. MTS completed the conservation of the flag, which belongs to the Middlesex School in Fall of 2010. A state-of-the-art climate-controlled case was built by Will Twombly of Spokeshave Design in Watertown, Massachusetts, using a Small Corp, Inc. inner core.

After conservation. Photo courtesy of Middlesex School and the Concord Museum

The flag was donated to Middlesex School by a relative of Norwood Penrose Hallowell, the colonel of the regiment, in 1972. Hallowell, a native of Philadelphia and a Harvard graduate, struck up and maintained a close relationship with Middlesex School of Concord, MA, eventually becoming President of the Board of Trustees for twelve years.

Colonel Hallowell and his brothers all served the Union Army; he, William and Edward all served as soldiers while another brother, Richard, worked at the Stearns house in Medford as an assistant to slaves on the Underground Railroad. The Hallowells, a Quaker family, struggled with their pacifistic religious ideology and the injustice they believed was being done by slavery. After thoughtful consideration by the Hallowells and the rest of the Meeting, the decision was made to fight, giving birth to the term “Fighting Quakers.”

Photo courtesy of Middlesex School

After the Emancipation Proclamation was issued New Year’s Day 1863, recruiting began for the creation of the first all-black regiment, the 54th Massachusetts. Hallowell was commissioned the Lieutenant Colonel of the 54th by Governor John A. Andrew. Lt. Colonel Hallowell aided in the training of these men, and then led them to the ships that would take them South and into battle. Governor Andrew then ordered Hallowell to return and form the 55th Massachusetts. He took over as Colonel, and his brother Edward replaced him as Lt. Colonel of the 54th.

Middlesex Flag as conserved in 1972. Photo courtesy of Middlesex School.

Colonel N. P. Hallowell’s daughter found the flag of the 55th Massachusetts wrapped in tissue in a trunk of her father's belongings. Another relative, Hannah Bigelow, conserved the flag with the assistance of the Museum of Fine Arts of Boston and donated it to Middlesex School in 1972. Middlesex School, after conservation by MTS was completed, loaned the flag to the Concord Museum for their exhibit When Duty Whispers: Concord and the Civil War. An overview of the flag and exhibit from the Metro West Daily News can be found here. It was also featured on the cover of the May 27th, 2011, issue of Antiques and the Arts Weekly.

It was wonderful for us at MTS to not only conserve a bit of Massachusetts and Civil War history, but also to learn the provenance of this wonderful object. Understanding the flag’s place in history is truly a treat for us, and we are happy to share such a great story with everyone.

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A Ghost of the Civil War

“Let Us Show These Scoundrels That We Can fight.”

Under This Flag...Solon A. Perkins Was Killed

Ragged Glory Restored

Installing the Dennis 13-Star Flag

Making a Two-Sided Flag Mount

Captured at Casablanca

Patton's Pride

From Pearl Harbor to New England

Celebrating the Legacy of the 55th Massachusetts

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